With Stewart Lee’s show (Four stars, Underbelly, 8.40pm), the satirical edge cuts in a variety of directions. Although he starts with 9/11, a date he insists on calling November 9 — “Reclaim the date from American imperialism” — Lee slides effortlessly between attacks on America, Scotland, himself and even the idea of stand-up itself. His…
Stewart Lee has a masterful way with words, a poised and confident stage presence, and the accomplished performance skills of someone who has worked and worked at it. He also knows all of the above which is what makes him such an irritating smarmy prick at times. I struggled with myself to put this out…
It has taken a long time, from its origins at Battersea Arts Centre via the Edinburgh Fringe, but composer/lyricist Richard Thomas and his collaborator Stewart Lee finally witness the official world premiere of their much touted show at the National Theatre. Lee himself directs a zingy staging that uses operatic devices to parody, satirise and…