It was “the most glorious, bravest, the most splendid music”, says British folk singer Shirley Collins of her time collecting folk songs at the Mississippi State Penitentiary in the 1950s. “It was all recorded out in the open, so there was a wonderful echo there.” Collins, the one-time leading light of the postwar British folk…
Shirley Collins didn’t think much of Bob Dylan when she first saw him play at the Troubadour in London. He was an American, singing American songs, badly. Worse, he wasn’t wearing a Stetson, which might have helped to set pulses racing. “We didn’t know what to make of him,” she tells Stewart Lee in his…
IT IS HARDLY unhelpful, for the readers of this website, to report that a new BBC radio series on the history of the transatlantic counterculture begins with Allen Ginsberg reading in a 1950s performance of ‘Howl’ in the US and ends with the same poet speaking with a similar and distinctive tone at 1965’s International…