Literary groupies take note. Fawning fan-boy interviews aren’t just the preserve of contemporary lit stars. As Stewart Lee’s loose-knit new play puts two of the eighteenth century’s most eminent men of letters into an initially chummy Jonathan Ross-style chat show format, it’s proved beyond doubt that authors in the flesh don’t always resemble their finest…
Stewart Lee branches out into high culture while staying rooted in comedy for this postmodern revue Stewart Lee’s writing is becoming increasingly confident. Having won plaudits and awards for his stripped down standup material and for the overblown Jerry Springer – The Opera, his new work Late But Live falls somewhere – very roughly –…