It was “the most glorious, bravest, the most splendid music”, says British folk singer Shirley Collins of her time collecting folk songs at the Mississippi State Penitentiary in the 1950s. “It was all recorded out in the open, so there was a wonderful echo there.” Collins, the one-time leading light of the postwar British folk…
Shirley Collins didn’t think much of Bob Dylan when she first saw him play at the Troubadour in London. He was an American, singing American songs, badly. Worse, he wasn’t wearing a Stetson, which might have helped to set pulses racing. “We didn’t know what to make of him,” she tells Stewart Lee in his…
That presenter was the comedian Stewart Lee, whose recent tribute to punk singer Robert Lloyd, King Rocker, has, so far, been one of this year’s most entertaining Dlms. Radio 4 should use him more, pronto. “Chroniclers have been lying to us since the Drst troglodyte daubed an exaggerated bison on a French cave wall,” he…
Reardon, as his much-interrupted work on his memoirs attests, is an unreliable narrator, which was the topic of yesterday’s entertaining, inventive Archive on 4, presented by the stand-up and writer Stewart Lee. Lee begins his journey “walking along Cecil Court”, off the Charing Cross Road, which when Lee first arrived in London was lined with…
To research this Radio 4 essay about the role of the unreliable narrator, Stewart Lee spent almost three weeks with the Inrravat people of northern Canada, who believe in a trickster god whose stories cannot be trusted. What did he learn about this ancient culture? Well, almost nothing in a literal sense as all their…