It was “the most glorious, bravest, the most splendid music”, says British folk singer Shirley Collins of her time collecting folk songs at the Mississippi State Penitentiary in the 1950s. “It was all recorded out in the open, so there was a wonderful echo there.” Collins, the one-time leading light of the postwar British folk…
Shirley Collins didn’t think much of Bob Dylan when she first saw him play at the Troubadour in London. He was an American, singing American songs, badly. Worse, he wasn’t wearing a Stetson, which might have helped to set pulses racing. “We didn’t know what to make of him,” she tells Stewart Lee in his…
IT IS HARDLY unhelpful, for the readers of this website, to report that a new BBC radio series on the history of the transatlantic counterculture begins with Allen Ginsberg reading in a 1950s performance of ‘Howl’ in the US and ends with the same poet speaking with a similar and distinctive tone at 1965’s International…
Comedy writer Armando Iannucci decodes the utterly baffling world of political language. This week, Helen Lewis is away, so comedian and writer Stewart Lee joins Armando to look at Robert Jenrick’s flashy video in which he takes aim at ‘weird Turkish barber shops’, among other things. They discuss how the way politicians, entertainers and journalists…
Nihal Arthanayake speaks to Stewart Lee, his first guest in a new series of Headliners, featuring exclusive in-depth interviews. Over the course of the conversation, Stewart touches on fatherhood and the joy of a profession that allows him to remain immature. He talks about the importance of an economy that supports creativity, finding a new…
That presenter was the comedian Stewart Lee, whose recent tribute to punk singer Robert Lloyd, King Rocker, has, so far, been one of this year’s most entertaining films. Radio 4 should use him more, pronto. “Chroniclers have been lying to us since the first troglodyte daubed an exaggerated bison on a French cave wall,” he…