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A Room With A StewStewart Lee’s ‘A Room with a Stew’ at Colston Hall ★★★★

Liam Marchant visits ‘A Room with a Stew’ on 25 April to review Stewart Lee’s painstakingly self-reflexive comedy

By Liam Marchant in Epigram.org.uk Posted on Thursday, May 28th, 2015

Having spent most of his career performing in low-key art centres around the country, Stewart Lee now has the misfortune of enjoying relative commercial success. As he acknowledges at the beginning of ‘A Room with a Stew’, Colston Hall is packed out with two very different audiences for his show.

There are the liberal middle classes in the front stalls who have been getting off on his sneering comic persona for years (‘the vegetarian restaurants of Bristol will be empty tonight’), but there is now also a new batch of fans to consider as well: the people who saw him for five minutes on television and decided to come with their friends, the kind of people who otherwise ‘go to see Lee Nelson live’.

what does an alternative comedian do once they have made it mainstream?

Of course, Lee vastly exaggerates this audience divide – some of the evening’s biggest laughs are drawn from these ‘new fans’ whenever he mockingly gestures to them in the dress circle – but the problem he poses seems real enough: what does an alternative comedian do once they have made it mainstream?

Drier than a Sainsbury’s Basics roast chicken, this identity crisis is placed at the very centre of ‘A Room with a Stew’ and explored with an ultra-self-consciousness bound to surprise even the most seasoned fans. ‘No one’s equipped to review me’, that is, no one except Stewart Lee himself. His routine is littered with introspection, self-parody, and analysis of jokes both before and after they have been made: ‘See, what these young comics don’t understand is that you’ve got to do the apology before the joke… not two weeks later on Newsnight in a turtleneck’.

No one can escape the cross-hair of his comedy

And causing offense is certainly an issue which occupies Lee as a ‘politically correct liberal’. The first half of the gig is geared around a very carefully constructed and deliberately longwinded joke meant to appease his Daily Mail critics who complain that there is ‘not enough Islamophobia in his act’. Lee knows he is tiptoeing along an ideological tightrope, but it is a gag diluted with so much irony that he manages to place both raging bigots and wincing progressives at its butt: ‘That’s what I want; a whole arena of uncomfortable fans saying “I’m not sure if that’s okay. It’s a very complicated issue”’.

Is there is a line which comedians have to remain cautious of not crossing? If there is, then Lee dances on it, crosses it out, and redraws it elsewhere before leaping right across. No one can escape the cross-hair of his comedy; not the fans; not other comics; and especially not ‘the Paul Nuttalls of UKIP’. Whilst the self-deprecating, existential crisis material never fails to solicit a response, Lee is much better as a social commentator with a sense of humour. Such material has built up his reputation as chief literati funnyman and, assuming he sticks with it, will guarantee that he never plays a half-empty regional art centre again.

Stars: ★★★★

Written by Liam Marchant in Epigram.org.uk on 28th May 2015. Filed Under: A Room With A Stew, Reviews, Series 4, Stewart Lee's Comedy Vehicle
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