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Content Provider (The Show)From Hannah Gadsby to Sacha Baron Cohen: the 30 best living comedians

In the run-up to the Edinburgh Festival our comedy critic Dominic Maxwell ranks the funniest comics working now

By Dominic Maxwell in The Times Posted on Saturday, July 21st, 2018

So then: who’s funniest? In compiling this list of the 30 best English-speaking comedians at work today, I gave myself some parameters. This would be an overview of who is at the top of their game now, on stage or screen or even podcast. It is not a guide to the most influential living comedians. It is not a handing out of long-service medals. So: no Pythons, no Mighty Booshes, no French and Saunders, nor even – though he came close – any Gervaises. It’s a snapshot of now.
Am I objective, or am I just listing what has made me laugh most in the past year or so? As The Times’s comedy critic, I get to see loads of live comedy by comedians old and new, have the luxury of thinking about it and talking about it and writing about it. I am, I hope, an expert. I also know that in comedy more than any other art form, expertise means zilch if something doesn’t get you in the gut. Ever tried convincing someone that they have made a mistake in not finding something funny? It’s not a good conversation.
So, yes, this is my list of the men and women who have cheered me, thrilled me, moved me, inspired me and, yes, of course, surprised me into laughter. The list is still more male than female, still largely white, but things are changing fast.
It is a good time for comedy. And a show like Hannah Gadsby’s, though not the funniest in the world right now, may prove to be the most important in the world right now. It argues for a new language for the form, goes beyond comedy to do so, while expanding and excelling at the language we already have. Or, more succinctly: I loved it! It’s great! See it!

1 – Stewart Lee, 50

I marvelled at the skill, I thrilled to the boldness, most importantly I laughed till it hurt when I saw Lee’s latest show, Content Provider, at the start of its tour 18 months ago. Do his teasing stand-up routines about everything from Trump and Brexit (correct, he’s a fan of neither) to Game of Thrones and mobile phones (ditto) hold up today on the performance recorded for television in May? Amazingly, they do: pretty much every moment has some sort of delicious surprise. And if a show addressing “the individual in a digitised free-market society” sounds highfalutin, Lee unspools these two hours with a sense of fun underlying every gear he goes through: abrasive, ironic, confessional, interactive, absurd, clownish, arrogant, but above all playful.

Written by Dominic Maxwell in The Times on 21st July 2018. Filed Under: Content Provider (Show), Reviews
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