The June – Green Fields And Rain - January 2011 January 30th, 2011

On their second album, The June re-animate familiar sixties sounds via the conduits of the Eighties American Paisley underground bands and the Nineties Britpop groups that also assimilated them. Despite the trio hailing from Parma, Italy, Christian Ravanetti perfectly replicates Liam Gallagher’s nasally elongations of John Lennon’s flattened Liverpool vowels. The June’s vintage Rickenbackers sound…

Jeff The Brotherhood – Heavy Days - January 2011 January 23rd, 2011

The title track of Tennessee’s Jeff The Brotherhood’s fourth album seesaws on a pulverising riff indebted to Hawkwind’s Master Of The Universe. The hoary acid pirates have become a legitimate source of plunder for a distorted three-string guitar and drums garage-psyche duo. Elsewhere Sonic Youth’s surging rock fixtures are appropriated, their experimental fittings ignored, and…

The Dirtbombs – Party Store - January 2011 January 23rd, 2011

Mick Collins, The Dirtbombs’ front-man, is one of American garage punk’s lone black voices. In 2001, the Detroit band’s Ultraglide In Black album hot-wired Seventies soul standards with scratchy guitars. Ten years later, Party Store offers chunky analogue facsimiles of famous Detroit techno tunes of the Eighties, attempting another cross-cultural hybridisation. It’s a fantastic conceit,…

The Puddle – Playboys In The Bush - January 2011 January 21st, 2011

The New Zealand lo-fi legends The Puddle’s engagingly sloppy indie-pop was epically unadorned. But what the band’s own press release tellingly describes as ‘florid saxophone embellishments’ on some songs here, suggest that for a quarter century these apparently inspired folk-art amateurs might actually have been frustrated exponents of emotionally explicit mainstream rock. There’s a sub-Velvets…

Sic Alps – Napa Asylum - January 2011 January 16th, 2011

Sic Alps, who once name-checked the Welsh mystic Arthur Machen in a song, suggest the infantile daubs of Syd Barrett spliced with 1980’s New York noise. Most of the twenty-two songs on their fourth album are less than two minutes long. The confident young trio lay down a loose riff or a fragile acoustic guitar…

My Autumn Empire – The Village Compass - January 2011 January 16th, 2011

Don’t consign ‘folktronica’ to the dustbin or dead genres yet. My Autumn Empire, the solo project of Benjamin Thomas of the Staffordshire outfit Epic45, is more song-writerly than its atmospherically Arcadian parent group, but on Block Colours And Straight Lines, for example, the tuneful vocals and deferential melodies are set back in a dense thicket…