Last week I dragged the girlfriend along to go watch Stewart Lee’s ‘Carpet Remnant World’ at Canterbury’s new Marlowe Theatre. We didn’t have great tickets; we were in the Upper Circle, one row from the very back. However, thanks to great designing, we could still see the stage brilliantly due to the elevated seats.
The one issue is that with comedy shows such as these, you lose the intimacy if you are further away. For example, previous to this performance, I have only ever seen comedians in very intimate venues with only a few hundred. Suddenly, you don’t seem to connect as well with someone when in a theatre holding 1,200 people.
For this reason, I do not get the appeal of seeing a comedian, or anything, in a huge venue holding thousands of people such as The London O2 or Wembley Arena; you end up just watching the comedian on the giant screens around the venue.
I believe for a comedian to be their most successful, you have to have a small, intimate venue. It is much easier to work a crowd of 200, than one larger: any comedian would probably tell you that.
Stewart Lee is completely the same. If you watch his stand-up DVD’s or television series, you can see that he excels in a small group. I think my enjoyment of the show was lessened because of how far away we were from the stage. Not to sound like I am being negative, but he was talking to the few hundred people in the stalls, and sometimes ignoring everyone higher. However, he is a genius when it comes to stand-up (I mean, you would be after 25 years), and he is fully aware of what he is doing. Of course, he is doing it intentionally, and in large venues like this, it feeds his routine with extra fun.
The question is did I enjoy it?
Of course I bloody well did!
Like all Stewart Lee material, you’re never quite sure when he actually starts his routine, because it all just seems natural. It isn’t a false conversation like a lot of other comedians do, it is ,in fact, just a well informed rant/lecture. Even though I use the word lecture to describe it, it is a fun lecture. If you wanted to get into stand-up, then it is essential to go see him perform I believe. You can learn a lot about the art of stand-up from him.
His jokes are nicely varied, with some being just simple one-line jokes, a number were 20 minutes rants about something, whether it be him watching Scooby-Doo, Twitter or discussing the process of finding his material, and others were satirical observations about the local area or politics. The rest of the time, he was just shouting at the audience, which is strangely endearing. I mean, I’m not sure Michael McIntyre would get away with yelling and swearing at the audience for two hours, but Stewart can.
When it comes to favourite comedians I have seen live, he is up there with Lee Mack, and it is purely down to audience interaction and the ability to adapt a routine for an audience and local things which they can relate to. Stewart Lee did this through bringing on stage the front cover of the local newspaper to mock its lead story, for the main local news was a Headteacher, wearing a red wig, pretending to kidnap the Janitor. It was very good.
Of course, I cannot convey how funny it was in a not-very-well-written blog without giving you all the jokes and ruining it for prospective audience members, so you will just have to believe me.
However, what makes him different from the other comedians that I have seen is how friendly he is, and willing to spend time with the people who paid to see him. I joined the back of a five minute queue to shake his hand, have him sign a book and have a picture taken with him (as well as making an unfunny joke about how to spell Stuart/Stewart). I thoroughly enjoyed my evening in the company of Mr Stewart Lee. He was humble and lovely when I met him afterwards, and during the show he was everything you expect him to be: Funny, sarcastic, full of hate and ‘alternative’. So much so, it felt like he had made my diaphragm enter my throat.
P.S. “…Dog; [In a high-pitched voice] Dooog?” You’ll get it when/if you see/saw it…
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