Various people were kind enough to road test The Perfect
Fool
for me. Here's what they said.

"The
kind of satisfaction the book gave did cause me to reminisce:
A Confederacy
of Dunces, One Flew Over the Cuckoo's Nest, All My Friends Are Going to be Strangers,
The Mysterious Stranger. In particular, a book I hadn't thought about in
many years came to mind,
Been Down So Long It Looks Like Up to Me, by
Richard Farina. It is a tale whose issues thread back to Don Quixote, but freshly
told. The faith (often portrayed as addled) that my generation had in coincidence,
synchronicity, extreme decadence, and a vision nourished by a mystical buffet
is vindicated."
ABNER BURNETT
"When you pick up books by stand up comedians, you usually expect roughly the
same sort of thing - a first person romp which tries to balance the stand up
instinct for gag after gag with the author's ambition to produce a proper literary
work. It's a delicate balancing act and one that's pretty hard to pull off successfully.
Few succeed. In the case of
Perfect Fool, I started reading the book
expecting this sort of thing. Halfway through the first chapter I realised I
was going to have to go back and start again, shedding my preconceptions along
the way. It's a complex and subtle novel written with a love of language and
a baffling blend of plot lines. The characters are warm and rich, whether appearing
as cameos or protagonists, and the humour is always present but never gets in
the way of the story. It's a proper novel and an excellent read."
STEVEN ARMSTRONG
"It's as though the bastard off-spring of the X-Files collided with a distant
cousin of Nick Hornby in a road movie directed by Wim Wenders to a soundtrack
by Roky Erickson in a plot financed by Freemasons. Smashing. Great. Ineluctable."
JOHN DOWIE
DOGMAN, THE JOSEPH STORY, WHY I GAVE UP BEING A STAND-UP COMEDIAN
"I slid down a tall metal frame on this book. It's a real rollercoaster of a
novel. Except smaller and made out of paper."
THE ACTOR KEVIN ELDON
BIG TRAIN, JAM
"Stewart Lee comes on with … a lending eye for detail and the verbal swagger
of a fish tailing jack rabbit."
HOWE GELB
GIANT SAND
".. gives life and intelligence to people who are usually just shapeless forms
in the background of more deserving types - hopeless rock 'n'roll dreamers and
street people. The squares wouldn't get it but the hipsters will. Lets hope
they don't all steal the book."
DAVE GRANEY
THE DAVE GRANEY SHOW, THE CORAL
SNAKES, THE MOODISTS, THE SPUTNIKS,
IT IS WRITTEN
"Hopi Indian beliefs, Freemasonry, fundamentalist Christian comic books, and
the seedy side of life in Balham. And no lame jokes where the narrator sets
up a gag and the punchline in the same sentence. Yes it's true - Stewart Lee
is not the new Terry Pratchett or Douglas Adams."
DAVE GREEN
NEED TO KNOW
http://www.access.org.uk/green.html
"Stewart Lee's first novel is a startling work full of vigor and verve, interweaving
the philosophical insights of a whizzened professor as he looks aghast at modern
society with the cinemascope sized imagination of the most enthusiastic and
daring film maker."
"
The Perfect Fool is the perfect start to the formal writing career of
media renaissance man Stewart Lee, last seeing wowing 'em with one liners on
the BBC, and charts a new course for both him and his well-sketched characters
as they whirl away in their imperfect worlds in a true confederacy of dunces."
"Quite possibly as ground breaking as
Fever Pitch the initial novel from
Stewart Lee, entitled
The Perfect Fool, is a perfectly fine introduction
to the insane world of south London losers, murderous American desert rats,
idiot urban astronauts and polite pot heads Mr. Lee's pen conjures authentically
and believably out of thin air."
"Destined to go down as one of the most daring debuts of all time Stewart Lee's
novel
The Perfect Fool will no doubt one day be a daring and darling
motion picture but by all means read it now while the ink is still wet and the
neighbors haven't given the plot away."
SID GRIFFIN
LONG RYDERS COAL
PORTERS WESTERN ELECTRIC
"Lee's characters bridge some kind of metaphysical Grand Canyon between London
and Arizona. His writing is precise, weird, dark and wondrous. Comic moments
appear at the most un-comical of moments. This book is mighty fine."
RICH HALL
AKA OTIS LEE CRENSHAW
"Like
High Fidelity … on acid!'
Richard Herring
COMEDIAN & PLAYWRIGHT
"At last! Proof emphatic that our lives are bound not by fate but by bestial
porn, space cadets, complete chance and the late Robert Calvert of Hawkwind
fame…"
DAVID KEREKES
HEADPRESS MAGAZINE,
"KILLING FOR CULTURE: AN ILLUSTRATED HISTORY OF DEATH FILM"
"SEX, MURDER, ART: FILMS OF JORG BUTGEREIT"
"CRITICAL VISION: RANDOM ESSAYS & TRACTS CONCERNING SEX, RELIGION, DEATH."
"An absurd allegorical tale incorporating love, lust, madness, obsession and
brilliantly observed melancholy in equal doses, reveals Lee to have not only
enough creative wit to maintain the pace across an entire novel, but a distinctively
original writing style - and one incorporating enough rock'n'roll nouse to give
Mr Hornby pause for thought..."
PHIL MCMULLEN
PTOLEMAIC TERRASCOPE MAGAZINE
"The Perfect Fool is the sort of book you take to the lavatory and don't come
out until it's finished, and then with a triumphant flush, you re-enter the
world invigorated."
SIMON MUNNERY
THE LEAGUE AGAINST TEDIUM
"ATTENTION SCUM"
"Lee has successfully pulled off an impressively erudite debut, charting the
high-concept hi-jinks of a raggle-taggle of metaphysical misfits with tenderness
and charm. Their Odyssey from Balham to the badlands is joyously funny and also
strangely affecting."
GWEDOLINE RILEY (Manchester)
CITY LIFE
"Quite an achievement in its complex melding of the mundane with the fantastic.
On one level we find a story concerning the various (mis)adventures of a disparate
dramatis personae of misfits. We meet a pair of washed-up London musicians,
a suspected serial killer, a native American indian, an English mental patient
who believes he was once an astronaut, a forgotten psychedelic rock star, a
bible toting wild west sheriff, a hippie/tramp who accidentally torched a Ladbroke
Grove crashpad, and an unpleasant quartet of murderous priests and freemasons.
On another level we are presented with a parable based around the search for
our individual Holy Grail (symbolic or real, either applies here), in which
seemingly unrelated but parallel threads are skilfully drawn together at a junkyard
Camelot in the Arizona desert. Lee seems to understand how co-incidence can
be pre-destined just as pre-destiny can be purely co-incidental, how the inconsequential
can be squeezed up against moments of staggering significance, and, greatest
of all, how the futility of life (yes, I really said that), is marked out by
its very purpose. Stewart Lee has created an uncomfortable, yet frighteningly
familiar world, populated by characters we must all recognise. He has a sharp
sense of the absurdity and obsession with which its people occupy themselves.
Make no mistake, though, despite the plentiful wry observations, this is one
comedian's novel which is by no means a comedy. Whether or not it will modify
the public's perception of the author is an altogether different matter. Celebrity,
it seems, must be perpetually clad in the mantle in which it first appeared.
Maybe, just maybe, Comedian Stewart Lee will become known as Novelist Stewart
Lee, he certainly deserves to, but I fear that his will be the recurring epitaph
of the stranger that reads, 'Go on then, tell us a joke.'. And though this is
a tale in which dreams are realised and burdens are shed, there is an amused
world weariness about it that makes me suspect Comedian/Novelist Stewart Lee
would have it no other way."
NICK SALOMAN
BEVIS FROND
"Best known for the educated juvenilia of Fist Of Fun and This Morning With
Richard Not Judy, Stewart Lee eschews the standard matey prose of a comic turned
author to pen a novel that's short on laughs but high in imagination and invention.
Lee's personal love for obscure psychedelic rock and religious obsessives comes
to the fore, as he follows separate groups of damaged nobodies unwittingly embroiled
in a quest for the Holy Grail. There are touches of Armistead Maupin in the
use of synchronicity, and the writing, while dense at times, is always bold
and poetic. A superior debut."
IAN WATSON
NME
MELODY MAKER
PLASTIC BAG ARCHIVIST
"I haven't read the book. I read the bit about the woman who claims to
be a serial killer and scares off the bloke with the hat. That's all. So here's
an appropriate quote. Stick my name under it. "If Stewart Lee was fatter, shorter,
uglier, posher and really, really, really boring, The Perfect Fool would be
a sure-fire Whitbread contender."
STEVEN WELLS
NME
"Stewart Lee's The Perfect Fool is that rare thing, a more than decent novel
written by a comedian. The root of his success in this is precisely that he
doesn't strain to make the reader laugh but rather allows the absurd scenarios
he spins to follow their own logic and lets the reader interpret them on whatever
level he or she chooses. A scattered collection of unfortunates and derelicts
all reaching crisis point in seemingly disparate unenlightened lives gradually
come together in Arizona as a consequence of their various half-understood quests.
It's a mixture of paranoid occult conspiracy, obsessive rock'n'roll fandom,
and deluded detective work. The stories entwine without contrivance and though
the relationships eventually seem obvious the skilful construction ensures the
joins never show, and nothing is crassly telegraphed. From the rock'n'roller's
point of view the lives of Sid and Danny, trapped in their Dire Straits tribute
band, hitching up their threadbare dignity, posts a dreadful warning. There
but for fortune... The musical components ring true mainly because they are
true, and though Luther Peyote turns out not to quite be Roky Erickson the initial
sense of recognition is particularly warming."
NICK WEST
Bucketful Of Brains